Resurrects Jack So He Can Kill Him Again

Supernatural has produced an instant classic in "Byzantium," despite the expiry of a fan-favorite graphic symbol. Here'southward how.

The events of Supernatural'southward recent episode "Byzantium" could, on paper, feel like a page out of any book from the testify'due south large library of tales. A central graphic symbol dies, and 1 of the other central characters makes a deal to bring him back to life. Round and circular and round we go.

Except, for any number of reasons, it's not like that at all. Not actually.

Sure, the bicycle of cede and rebirth never stops on Supernatural. Which is fine. It'southward a huge part of the evidence's legacy. Decease, here, is rarely nearly permanence — it's virtually change and consequence — but everything about the way that "Byzantium" handled the death of Jack Kline and the actions and reactions from Sam, Dean and Castiel in the wake of his passing was a positive confirmation that some of the characters' nearly famous patterns of problematic behavior have been broken.

These developments have been brewing for a while, but I believe that Supernatural needed to throw this level of trauma at Team Free Volition and force them to respond to it in order to evidence just how far they've come. One of the best ways to runway change is to make people handle a circumstance that you suspect they once would have handled very differently, and that is exactly what we saw here.

In the preceding episode "Unhuman Nature," the Team Free Volition track was entirely about trying to heal Jack and, when unable to, trying to help him make the most of his brusque life.

"Byzantium," written past Meredith Glynn, connected Jack's story to its (first) determination — he dies semi-peacefully in his bed before the title menu flashes, and from there on out, the episode revolves entirely around grieving him and ultimately, finding a way to recover him.

Expect, we were all fairly certain it was going to happen. We were warned, and I mean, are you really even a member of the Winchester family if you oasis't died and come dorsum at least once? This is really just akin to Jack having the grooming wheels taken off his wheel, when y'all think about it. It'due south a full Bar Mitzvah.

Nonetheless, I don't think anyone was truly braced for the impact of Jack's starting time death until we saw how it played out for Team Free Will during this episode. What actually happens on this show is often less important than how it happens, and what the events of "Byzantium" cemented for the testify moving forward is then much more than the sum of its fantabulous parts, in then many ways, for every grapheme.

"Byzantium" is Supernatural at its very finest — a deep dive into its core characters' hearts and souls, which is where this show should e'er, honestly, live. And the fact that the show and the actors can wring this wealth of emotion with a grapheme like Jack at the squishy heart — indeed the fact that Jack Worked Conceptually at all — is a credit to the incredible achievements on the role of Andrew Dabb, Alexander Calvert, and the whole cast and crew.

"Then it'southward gonna exist an risk…"

First and foremost, we need to talk about why the powerful journeying of an episode similar "Byzantium" was fifty-fifty plausible. We need to talk about Jack. And to talk about Jack, nosotros demand to talk about Alexander Calvert, the actor who brings the Winchesters' "wee nephilim" to life.

Thank Christ they institute this child. I've been saying this since Calvert's offset episode, and I experience like I say it so often that I must sound like a cleaved record, but Jesus. He really is the golden ticket.

None of this would have worked if Calvert couldn't behave the timeless, ageless innocence that makes Jack then irresistible. This could have gone incorrect so easily. Jack could take come across childish or cheesy, or he could take seemed corruptible, changing the stakes of his story almost immediately.

But Supernatural managed to cast and craft the character of Jack in such a mannerly mode that we were all helpless to defend ourselves – then were Sam and Dean, who finally understood what Castiel had realized virtually Jack while the baby was nevertheless in utero. I truly can't remember whatsoever character ever making themselves so instantly unconditionally loved: nosotros are all a bunch of Rosa Diazes to Jack'southward Arlo the Puppy, and Team Free Will nigh of all.

Consider how hard information technology must take been to find the story's ideal salesperson in Alexander Calvert, and trust that he could find and hit these pitch-perfect notes in Jack week after calendar week, a newcomer belongings his own against three beloved, hardened and tenured actors, the keepers of characters who mean the earth to a die-hard audience oft unwelcome to change.

If yous're reading this, you've watched the past two seasons, and so you know how this all played out. But it really must be hammered dwelling, at this indicate, just how risky it was to gamble the audience's acceptance of this thought — of the testify's three developed male leads adopting a child equally the communal driving force that they're all united around. Care about him, Supernatural begged usa every step of the way. Love him. Await, they're going to love him — you need to love him too, or this isn't going to piece of work.

This could have flopped so badly, yous guys. Information technology could have crashed and burned and been really embarrassing for everyone involved.

But information technology didn't. It was amazing. Calvert's functioning, Jack'due south presence, seeing the boys come to terms with all the joys and burdens of fatherhood – these have become some of the most salient aspects of the show, especially after their foster kid was left fragile after his grace was stolen.

While Jack doesn't harbor any fundamental egotism about being forced into humanity, he did struggle with resentment and self-worth when feeling helpless to the crusade without his huge amounts of cosmic ability, and he had to re-learn his place in the earth. Just more importantly, he started to get sick — his graceless body wasn't able to maintain itself and similar many final illnesses, his deterioration happened slowly then all at once.

Jack'southward deathbed scene at the top of the episode was raggedly moving without being melodramatic. It touches on classic tropes about grief — the dying comforting those he'due south leaving behind — without feeling overplayed, and his optimistic arroyo to life and decease perfectly encapsulates why his fathers are so fucked upward about information technology.

So when his final words to Sam, who admits that he doesn't know what'southward in shop for Jack's afterlife, literally invoke Peter Pan — the boy who never grew up — Sam's broken reactionary sob makes equally of sense. Everything most why Jack matters, nearly how thoroughly he's stolen their hearts and ours, and why his presence in the guys' lives is powerful enough to dictate this type of story for Supernatural, is summed up hither.

Jack is, quite but, the best. Jack'southward real superpower is his chapters to make everyone around him into the all-time versions of themselves, and that is why he was sent to them. That is what he offers, that is why he exist. This is why his untimely death is so badly unjust.

And and so Jack's death was in and of itself the ultimate proof of life for the graphic symbol. The mode that this episode lands is empirical evidence that the conclusion to create and continue to include Jack at the heart of the Supernatural was the best choice the show could have possibly made.

"Hey, Mom, it'southward me. Sorry to lay this on your voicemail, merely…"

As soon as Dean pulled out his phone and chosen Mary, I was and then relieved. Non only does Dean'south voice message serve equally the audio runway over a passage-of-fourth dimension montage of the other guys coming to terms in their own ways — over the space of the twenty-four hours, we see Castiel reflecting on his promise to Kelly, Sam packing upward and leaving the Bunker, totally uncommunicative — it besides allows united states of america to hear Dean being open up well-nigh his heartache with the ane person he was always able to truly be emotionally bachelor to, the 1 person he's outright ever told he loves in equally many words, and seeking comfort in her.

But honestly, even more meaning than Dean'southward take chances to verbalize and process his feelings — he's going to go a lot more chances this episode — is the inclusion of Mary in Jack's death. The bear witness remembers that Mary has spent more time together one-on-i with Jack than pretty much anyone else, when they were trapped in Apocalypse World together. What they shared in those months made them closer than close, Jack is very much 1 of her boys besides.

If Supernatural was the real globe and these characters were a real family, non actors factored in to appear on a certain schedule, Mary would accept been called the minute Jack collapsed, and she would take made her way there by the time he was in the hospital, and she would have been at his sickbed.

In the actual existent world where we live, Samantha Smith may not have been contracted for this episode, but despite the lack of her physical presence, the show made sure to award that relationship between Mary and Jack at the time of his death.

It sounds so unproblematic, and it sounds and then crucial, simply information technology'south absolutely something that this evidence and many others could have easily chosen not to make time for onscreen without it being considered to exist a particularly big deal. (I'm still waiting to find out if Claire was e'er told nearly Castiel's expiry in flavor 12.)

The fact that this call was used in this manner is a sign of the testify'south dedication to the relationships within the wider Winchester family, and how abiding and nowadays they are.

As mentioned, much of "Byzantium" highlighted the change and growth of the series since its days of transience and isolation, and the fact that in the year of our Lord 2018, Dean Winchester can call his female parent to share his grief about a mutual loved one is only massive.

"Tell me you didn't brand a deal!"
"A deal? What? No… I was trying to build a pyre."

Later on the boys face the reality of Jack'southward death, Sam strides off alone, and while Dean was extremely empathetic about giving him room to procedure, this quickly turns to Sam needing space to isolating himself and communicating zilch, leaving the Bunker with a bag of gear, deep inside his own head.

When Cas and Dean find him, curled upwards next to the Impala along a wooded road, they discover that he'd taken upon himself to try and build Jack'southward funeral pyre — but Dean was fearful that his brother had taken a much more dire course of action.

Ooooof. There's so much here, and it'due south all so deeply perceptive.

Allow'southward start with Sam, and what he was actually doing. He's in crude shape — I mean, they all are, but Dean's impressively steady about the whole state of affairs — perhaps understandable, subsequently he followed Jack'due south atomic number 82 about his lifespan last week — and while Cas is besides heartbroken, Sam is clearly unstable — a fact which Dean points out while tracking him down.

In framing this, Supernatural firstly shows how Sam needed to handle his feelings with an ambitious physical outlet — his rage-chopping breaks the ax handle afterwards simply two logs. We've seen Dean dial plenty of walls in his day, but never forget that Sam is also someone with seriously deep and dangerous anger issues.

I always think that part of the reason he has a tendency to repress so wholly is to go along himself contained, because he is roughshod when he wants to be — or when he can't help himself. He's a bottled-up, explosive kind of guy, and then the fact that he silently took himself out to expend disagreeable energy in this effective mode is just so in character that it hurts.

Because secondly, Sam is also someone who cannot alive with any circumstance that he's unhappy about unless he exhausts himself proving that he's taken action against it in whatever way possible, and he internalizes any defeat as a sign of his own personal failure. Sam taking out his feelings on a couple of tree is actually actually pertinent, because it ties his helpless aggression to his coping-through-proactivity.

So yes, Sam was out there past himself trying to practise the little that he could to contribute to Jack in some way. What he wasn't doing was making a demon deal to raise Jack from the dead.

The fact that Dean asks this, frantically scanning the footing, looking for signs of a dug-up crossroads box — is both irrational and entirely understandable, and this dual perspective is just and then utterly knowing that information technology may every bit well ship me to the morgue alongside Jack.

Considering on the one hand — of form Sam didn't. Everything nigh that journey, for all they've overcome — it's so articulate that they would just never do that at present. That drastic life-for-life trading is gone — that bike is broken, the slate is clean. The Winchesters still tote effectually a ton of baggage, but this tendency is, at least, is — I believe — a thing of the by.

They are then far beyond this, and though such a loss might vanquish them, they're hanging on to what they do all the same have. They're hanging on for themselves and for each other, because of form, none of them are alone whatever more.

There'south no more one-and-onlys — a loss tin can exist weathered, is being weathered, by a prophylactic net of loved ones. Losing someone isn't losing everything whatsoever more, no thing how unfair and traumatic it is.

Simply the thing is, I totally become Dean'southward hyper-witting paranoia, specially considering of Michael.

The affair is, Dean's deal with Michael was not about giving himself up. Dean's bargain with Michael had conditions of autonomy. It was never about trading himself away. It was never most expending himself to salvage the others. It was never meant to be a death judgement.

Dean'south deal with Michael was dependent on cocky-preservation — information technology was a temporary means to an cease that Michael exploited, and that expose has put Dean on a path of reclamation. He actually did everything right — he used the resources available, he did not really sacrifice himself, it did not come up from a place of dispensability — but he was taken reward of.

And so while yes, the Winchesters do still make crappy deals as Sam later mentions, all the fourth dimension, to achieve their goals, they no longer put themselves on the table as the payment price for collection. And the fact that Dean has had a non-fatal deal so recently and violently broken means I understand why it's the get-go thing on his mind, even if it's the last affair on Sam's.

Given Michael, a broken "safe" deal of whatever kind is something Dean's not willing to risk from anyone, anymore, and he'south certainly no longer willing to play ball apartment out trading one loved one for another. Which, of grade, also makes this a moment of huge dramatic irony when it comes to Castiel, only nosotros'll get there in due time.

"Nosotros did everything we could, right?"

Deal or no deal, 1 of the virtually important parts of "Byzantium" is the way that it shone a light on all the ways the Winchesters have inverse for the better, and Jack'south wake is one of the most incredible examples.

Subsequently returning to the Bunker, the boys all get drunk at Dean'southward direction, and the shared grief — cut together in an all-night whisky-slugging montage soundtracked past the Allman Brothers' "Please Call Dwelling house," is one of the most powerful scenes that Supernatural has ever offered.

At the kitchen table, Sam, Dean and Castiel share stories about Jack, they share his favorite nougat candy bars, they laugh, they expect loving and lost and tender and together.

This montage is allowed to run for almost one minute 45 seconds — for those who continue track of such things, that's longer than the "Night Moves" scene in "Baby." It's allowed to linger, and dwell, and breathe, and exist. Information technology'due south allowed to take upwards space and time. Information technology speaks to the shifting nature of Supernatural, and represents what the show wants to wearisome downward and spend time on at this point in its run.

It is deeply intimate and information technology is so incredibly moving, and information technology exemplifies how seriously things take changed for these men, in terms of how they handle loss. The grief is real, and maybe the worst that they've experienced together as a family, but is just so damn good for you.

Dean's drowsy line as the others caput off to bed sums all this upward — yes, they did practise everything they could in the moment. This loss was, while non exactly natural, something close to it. Though information technology feels unfair and incorrect, it doesn't come with a side order of self-hatred or arraign.

It is, ultimately, as peaceful a loss every bit possible, and the fact that the guys are able to process it as such is a huge reflection on how they've changed, how safe and secure they feel within their family, that they can take this and survive it and honour the memory of a loved 1 in this style.

"Who are you?"
"I'm Jack. I'thousand your son."

Jack'south time in Heaven is almost too sugariness to bear — his own memory that nosotros see is of his first trip with all three dads, on the road to Dodge Metropolis back in "Tombstone," but oh my, how they played me like a fiddle with this one. Despite the retroactively blindingly obvious foreshadowing, I was absolutely unprepared for Kelly Kline, Jack's female parent, to make an advent here, and it is then sensitively and beautifully done.

I dearest that the Kelly we beginning meet is a kid, with a long-dead dog companion — something nearly her entire Heavenly experience reminds me of my favorite afterlife movie What Dreams May Come, and then that'south extremely loftier praise, particularly as I find Supernatural'southward portrayal of Heaven creepy virtually days of the calendar week.

Kelly's paradise is 1 of the loveliest we've ever seen, and the way "Byzantium" introduces it to us reminds us of how unaware homo souls are that they're expressionless and in Heaven. It's just Jack'southward introduction that pulls her back into the consciousness of her life and death.

Until he literally said the words "I'k your son," I had no idea what was going on — the guys had just been talking about Anubis, and so I wondered maybe if the dog was the Egyptian jackal god in some earthly form (Don't enquire. Too much American Gods) — simply when I realized what was really happening, I outburst into tears.

The bear witness has really connected to honor Jack's relationship with his mother, and has taken a number of opportunities to allow the pair to get to know each other or communicate or have closure in some fashion — in Kelly's videos, in Mia's shapeshifting, through Jack's grandparents — only this was the most special and the most fulfilling, their first real meeting.

And since we are talking almost patterns broken for the greater good, compare, if you will, Jack's human relationship with the memory of his female parent to that of Sam and Dean with the retention of Mary, earlier Mary'due south resurrection. Jack has loving, supportive parents who helped continue Kelly present in her son's life, and Jack has too been able to follow his own initiative in edifice a existent motion picture of his female parent. Squad Free Will looking subsequently Jack after losing his mom is almost as far from John Winchester'due south A+ parenting as y'all could peradventure get.

But what's really important about Kelly is that her devastated reaction when she realizes how young her son was when he died. It emphasizes the narrative wrongness of Jack'due south expiry — and to her, Jack may be assumed to exist most 20. Withal too young by far — imagine how much worse it is to realize that he was in fact just one or 2 calendar years old?

It's crucial that Kelly is there for Jack at this time, and that she'south a function of the discussion regarding resurrecting him — especially when it comes to absolving Castiel of the failure he feels most letting her downward. There's just so much consequent proof that this evidence and these writers know exactly what these characters demand and how to give it to them at the correct moments.

Forth with swell old systems, "Byzantium" has set a new standard in what an episode is able to achieve. "Byzantium" is one of those episodes where any passing moment would be lauded as the high point of another random hour of Supernatural, and these moments simply keep coming. It keeps surpassing itself with every scene and covering every possible base, but I nevertheless couldn't have predicted this Kelly twist every bit an element of the episode. At present that it'southward happened, I couldn't imagine it whatsoever other way.

"Non doing this — that would be like letting him die all over once again."
"I desire Jack dorsum, too, okay? I do. I just don't trust Lily."

Despite the apparent closure mentioned above, Sam Winchester is not a person who accepts defeat easily. He tends to accept two default settings – literally walk abroad from a problem and completely avert dealing with it, like in season 8, or exercise everything in his power to be proactive most handling it in any fashion he can – occasionally to the point of manic single-mindedness, in, say, "Mystery Spot."

And then it was not at all surprising that Sam would be the instigator of Jack'southward salvation — all the same, precisely because of the growth and healing mentioned above, the approach taken here is very unlike to sure desperate and toxic measures of the past.

Would that we all possessed the power of Sam Winchester'due south brain in a liquor fug — he manages to excavate both a potential resource and a person who may be able to use it, and, with these two tools in their arsenal, mayhap, as he puts information technology, perhaps they can pull off a miracle.

Sam'south conclusion hither, while driven, is level and logical — it's something that he needs to try before he tin fully accept that he has left no stone unturned in trying to solve the problem and let become.

He yet has a fashion to go in being balanced about his burdens, but his attitude — "I should have tried harder, I should have washed more" is honestly a level of culpability that almost born leaders can empathise with — a consistent responsibility for everyone in their care. Information technology'southward sort of a heavy is the head that wears the crown state of affairs, only to Sam'south credit, his phenomenon-making is very measured.

Sam'south memory of Kevin's angel tablet translation is simply i of this episode's many shining threads of overlooked show history woven back into the tapestry of season fourteen. Lily Sunder is, of class, another, and what an absolutely perfect character to include — an proficient in angelic magic who is too motivated by grief over a lost child.

Lily couldn't have been a improve contributer to this episode if she was written specifically for it — in fact, if she had been, it would actually feel contrived.

This is another of "Byzantium's" many accomplishments — the careful plundering of the testify'south back catalog to find all the necessary pieces and identify them delicately in an gild that feeds the current story in such a special way.

Information technology's and so advisedly done. It doesn't feel "convenient" — it'due south entirely organic — and it is proof of Glynn'south encyclopedic knowledge of Supernatural's entire history, as well as the depth of her personal intendance when information technology comes to servicing the current story.

In portraying Dean's reaction, "Byzantium" besides remembers "Lily Sunder Has Some Regrets" in a different way. It remembers that Sam had a very unlike experience with Lily — they had that huge hotel-room conversation well-nigh her life choices, which Dean was never a political party to.

Sam gets Lily, in a sure fashion, and all Dean knows is that Lily tried to kill Cas, which seems to exist where his distrust of her allyship is coming from. This kind of handling is important — all also ofttimes, shows will reinvent an bending whenever convenient, without remaining true-blue to prior learned perspective, and a look back by the audience quickly proves that sloppiness.

Not hither. Not only is Lily'south origin story majorly significant to this episode, she is recieved differently by Sam and Dean, staying on track with their individual prior experience with her — and then Dean coming to terms with Lily and her motivations becomes a side arc that "Byzantium" spends fourth dimension on every bit well.

"If nosotros don't meet its demands, Heaven will fall. 46,750,000,000 human souls volition be cast in the air current."

The great matter about the black gooey disaster that Castiel finds in Heaven is that information technology gives united states a real narrative reason why Jack needs to survive — a reason ameliorate than "we want him back."

As much every bit we DO desire him back, the Winchesters cannot be allowed to just resurrect every loved one every time they die — all that incredible growth would be wasted. That's non how the world works. Function of their healthy progression has to include handling loss, permanently.

And so even though Sam calls in Lily and Cas heads upstairs specifically for "selfish" aims, the ultimate reason that Jack needs to be saved and brought habitation is much more utilitarian, and that is amazing.

Naomi is ultimately not wrong here, in terms of her moral compass — she's just a Lawful Good to Cas's Chaotic Good (full of pesky free will, that one) and then while yes, Cas knows that her point is valid, he's going to practice what Winchesters do and think exterior the box, detect another way — and ends upwardly saving both Heaven and Jack.

Heaven is i thing, but it's non particularly fair for Jack to become to the Empty — he's a graceless nephilim with a real soul and his own dear little paradise — so when the Empty poses a threat to the stability of Sky itself, the fact that Jack needs to be brought back to life to salvage those 46 billion souls and foreclose what fandom has been calling the "ghost apocalypse" is actually fitting.

It glorously feeds his whole Christlike character arc, but it likewise creates an unspoken caveat for the audition: no, the Winchesters do not get to regress into old habits as much every bit they call up they practise.

Castiel'due south contract with the Empty is very much the kind of deal that Dean was freaking out near at the start of the episode, only information technology taps into something very dissimilar, a challenge that'southward going to exist at the core of his graphic symbol journey from here on out.

What the Empty represents and what Cas is now forced to fight for is going to be something of a image shift for the show, and that situation needs to exist explored from a different perspective to the ane this article is taking, but I tin already tell that the mid-season finale airing tonight is going to bear on that, so more on that soon.

Regardless of that, I'm glad that "Byzantium" was constructed in such a mode that Jack'due south resurrection served a serious cosmic purpose — it's so in line with that everything he is, and then witting of everything the evidence should exist.

They're getting Jack back because the universe needs him to be alive, Not because they get to play with life and death on a whim, every bit Billie, or Death, is so frequently frustrated by. And fifty-fifty so, in that location is a cost – a huge one.

This is a lesson the brothers are yet to learn. They don't know the truth nearly what happened in Sky yet, just we, the audience, know it, and so we know what cards the show is putting on the table, even if the Winchesters tin't encounter the whole hand.

"Care to try your luck once more?"

Supernatural flavour 14 has been intentionally full of false starts, and "Byzantium" is no exception — Sam's get-go program, involving the affections tablet translation, proved fruitless, and although Lily believed her ain magic would do the play a trick on, her side of the bargain — entry into Heaven, to be with her girl — was non an easy 1 to fulfill. Enter Anubis — a god from some other pantheon, on loan to Heaven equally their resident judge.

Somewhat similarly to his male parent Osiris, Anubis is tasked with computing the rise or descent of human souls, but he's a very different manner of being. His introduction to Supernatural sets up an interesting new angle on the lore of the afterlife — while Osiris only judged sure people every bit part of a certain ritual, Anubis is responsible for the everyday upwards and down resource allotment of the dead.

Except he isn't actually responsible. He'due south just the administrator, and when his abacus proves that Lily is destined for Hell and No-Stone-Unturned Sam demands that he modify it, he reveals that he's not able to — trapping him was still some other expressionless end, and summoning him initially seeming entirely ineffectual.

Nonetheless, what he reveals to the group sets up a huge new piece of canon that helps save one soul in "Byzantium" and might play a big office in even so the discrepancies between those troublesome locales eventually comes to a head.

"God doesn't decide. I don't determine. You exercise, each of you, your individual choices all tallied up at the precise moment of your death. Go along me here. Try and kill me. It is non going to change Lily Sunder's fate. But it might modify yours."

Much like what we see on The Skillful Place, salvation and damnation seem to depend on the individual's behavior, measured by a cosmic force beyond any witting command — or mayhap on how the individual carries their choices. The ideas introduced here are both comforting and terrifying, and they must — simply must — be revisited.

Lily Sunder's own story comes to a plumbing equipment end — despite her initial condemnation, or perhaps because of it, her rescue of Jack earned her the "points" she needed to go into Heaven, which Anubis, who, like many gods of death, is a benevolent fellow, clearly suspected might happen, as he pulled her into his office for recalculation.

Lily used up her life force saving someone else's child — a nephilim no less, like her daughter was labelled and unjustly slain, and she did it because it was the correct thing to do. She did it knowing that it would impale her, and she did it knowing that she was going to Hell. It was an human action of pure good, which in plough weighed in her favor and sent her to Paradise — a boon she did not expect, and 1 last message to the audience that Jack being brought back was office of the necessary lodge of the universe.

"Byzantium" is a behemoth in then many different ways — Jack's cosmic correct to life is really merely one element of it. The aftershocks of what this episode both shattered and solidified — well, the total extent of the "damage" is however unknown. But we tin can balance like shooting fish in a barrel knowing that — nephilim powers or no, Jack's survival is paramount to the survival of the universe, and his resurrection in no manner negates the healthy growth of how the Winchesters handle grief.

Juggling all these elements, finding ways to brand these events seem earned while not allowing other earned developments that on the surface seem contradictory to disintegrate, must have been incredible hard for the Supernatural writers to pull off. But given the episode's reception — and ratings, the highest so far this flavour — information technology'south worth the struggle. "Byzantium" is going to proceed fans — including this one — talking and thinking for years to come up.

The 'Supernatural' mid-flavor finale airs this evening at 8/7c on The CW

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Source: https://www.hypable.com/supernatural-byzantium-jack-resurrection/

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